Cultlike celebrities of a certain size sometimes cross the line between unsettling narcissism and unsettling narcissism with top notes of pathology. This may not be news, even if they make the news fairly regularly, but the frustrating new film “Opus” treats the toxic intersection of fame and infamy as a big reveal unto itself.
It’s a sleek enough experience visually,
Read more about ‘Opus’ review: John Malkovich and Ayo Edebiri match wits in an album release party gone wild
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